Ultraviolet Break of Day

This photography series documents neon-lit urban landscapes in Hong Kong's Kowloon and Shenzhen's electronics district. Wendt employed Lightroom to craft "improbable isometric perspectives to create a slightly alien and uncanny atmosphere" evoking 1990s cyberpunk aesthetics. The project functions as a "field trip through neon nights in China's metropolis," blending architectural photography with digital manipulation to achieve a retro-futuristic look reminiscent of films like Blade Runner.